The Edwardses attempt to Occupy Wall St? Are the descendants of Welsh pirate Robert Edwards the legitimate owners of Manhattan Island? The claim is not new but now a Hollywood director wants to turn the whole saga into a movie. Read on.....

Welsh fight for chunk of Lower Manhattan to become a movie

The Claim (From the Wikipedia ):- "Robert Edwards was a Welsh buccaneer given 77 acres (310,000 m2) of largely unsettled Manhattan by Queen Anne of the Kingdom of Great Britain for his services in disrupting Spanish sea lanes. From Edwards, who died in 1762, the property passed in 1877, via a 99-year lease to the brothers John and George Cruger, with the understanding that it would revert back to his heirs after the lease expired. Apparently, this never happened. It is alleged that the Crugers were wardens of Trinity Church, an Episcopal Church -- today, one of New York City's biggest land owners. Maybe everything was tangled in a muddle of colonial Manhattan land giveaways. But, according to family lore, the whole tract wound up in Trinity's hands.

Trinity indeed got a large slice of the land that seems to be described in the Edwards family account. But the church got the last of the ground in 1705, all of it directly from Queen Anne, according to a church pamphlet published in 1955, at a time when Trinity was bedeviled by Edwards family claims.

The legend has since proved persistent, and indeed some high profile claims of rightful ownership to the fortune, now estimated to be worth around 650 billion dollars. The most recent of these was a claim from a Cleoma Foore, whose research led to the foundation of the 'Pennsylvania Association of Edwards Heirs', a body funded by donations in a bid to finally prove that they were entitled to the vast fortune through direct ancestry. This fund attracted around $1.5m at its peak, but no firm evidence was forthcoming. Indeed, the end result was an embezzlement case tried at the federal court in Pittsburgh before Chief Judge Donald E. Ziegler in 1983.

More recently, this ancient claim has been the subject of many multimedia productions including books, TV shows and radio reports and a 1998 primetime UK TV show called 'Find a Fortune' and hosted by Carol Vorderman amongst others, attempting to shed new light on the topic.

A document held at the Glamorgan Record Office in Cardiff, Wales, entitled Edwards Millions outlines the case as it stands today, with claims and counter claims further muddying the issue.[1] Tales of unscrupulous lawyers and fraudulent claims have also hampered attempts by amateur researchers to get to the truth. Finally, the introduction of the 'Statute of Limitations' in NY State, which sets a time limit for all claims, to be commenced within fifteen years of the expiration of a lease, appears to have all but buried the claim with the death of Robert Edwards himself.

The only document that could prove the matter would be the original of the 99-year lease signed over to the brothers Cruger, but that would now be statute barred."

The Director ( From the Wikipedia ) "Sara Sugarman (born 13 October 1962 in Rhyl, Denbighshire, Wales) is a Welsh actress and film director whose work includes Disney's Confessions of a Teenage Drama Queen (2004) and Very Annie Mary (2001). She has also starred in two movies Dealers (1989) and Those Glory Glory Days (1983)."

A few beers last night? Test and sharpen your morning after reflexes with our Sheep Tranquilizer challenge. Are you a Sluggish Snail or a Bobbing Bobcat?

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ITS CHRISTMAS! (Well nearly) If you havent found the perfect gift for that special someone yet, have no fear! Seren published a great range of titles this year, with something to suit everyone. Remember to claim your 20% off when you join our online book club .

Books for Everyone

Coffee Table Books

These beautifully presented books feature glorious full colour photographs and will take pride of place on any coffee table.

The Rivalry of Flowers by Shani Rhys James - 29.99 - Save 6 when you buy online A book of 52 stunning new paintings and works by Shani Rhys James, one of Britains leading and most distinctive artists. Her latest work has developed a lighter palette to deal with new subjects of flowers and colourful patterned wallpaper backgrounds. Rhys Jamess paintings continue her exploration of the position of women in society, and in particular how women can be imprisoned by consumerism and the domestic environment. Hardback ISBN: 9781781720615

Books for The Poetry Lover

The Claims Office by Dai George - 8.99 -Save 1.80 when you buy online Dai George is primarily an urban poet, he's drawn to socio-political themes and is fascinated by history and how this effects character, both his own in the 21st century, this is evident within his poetry. There are lively pieces about London and New York: Metroland and New York on a Shoestring; skewed loves poems: Plans with the Unmet Wife. 'His method is mostly straightforward narrative but the textures and imagery are often elaborate and strange. This rich surface is undercut by an interesting attitude: a mix of rebellious energy and unflinching satire. Paperback ISBN:9781781720905

Books for the Explorer

Cant afford a round the world ticket? Give the gift of travel and let your loved one explore the world from the comfort of their armchair.

Island of Lightning by Robert Minhinnick - 9.99 -Save 2 when you buy online Travel around south Wales, Argentina, China, Finland, Iraq, Tuscany, Piemonte, New York, Zagreb, Lithuania and the lightning island of Malta with Robert Minhinnicks latest book of travel essays. Attractions include the annual Elvis convention in Porthcawl, Neolithic sculptures, the cruelties of late twentieth century communism and its aftermath, rugby union, the Argentinian writer Alfonsina Storni, poets playing football, the body of a saint and the definition of cool. His themes are big ones: the relationship of man and landscape, man and time, man and nature, immigration and war, in one sense ultimately humankind itself. Paperback ISBN:9781781721292

Books for the Crime Addict

Send a shiver down their spine with our true crime books.

The Pembrokeshire Murders: Catching the Bullseye Killer by Steve Wilkins with Jonathan Hill 9.99 - Save 2 when you buy online The Pembrokeshire Murders , tells the true story of Operation Ottawa, the cold case investigation of the notorious unsolved Pembrokeshire Murders. Detective Chief Superintendent Steve Wilkins tells how cutting edge forensic techniques, fibres from a glove and an unlikely appearance on the ITV program, Bullseye , lead to the conviction of John Cooper.The dramatic timeline involves psychological profiling, intimidation by Cooper, the relationship between police and media in the arrest and the predicament of the victims' families during the long years when the cases remained unsolved. Paperback ISBN:9781781728000

Books for the Fiction Fanatic

Get lost in someone elses world this Christmas with one of our fantastic fiction titles.

The Rice Paper Diaries by Francesca Rhydderch - 8.99 -Save 1.80 when you buy online It is spring 1940, and newly wed Elsa Jones is finding her way in Hong Kongs ex-pat society. Lonely and homesick, she finds an ally in her amah Lin, who has travelled downriver from her native village in Canton, but their friendship is clouded by Lins own longing to be reunited with her young sister and the simpler life of her childhood.When Hong Kong falls to the Japanese, Elsa and her husband Tommy are captured and interned in a makeshift camp on the southern side of the island. Along with the rest of Hong Kongs European elite, they have to knuckle down to the task of survival in hostile surroundings. Paperback ISBN:9781781720516

Books for the Coffee Break

These books are made up of collections of short stories, making perfect reading for a spare 15 minutes.

The Scattering by Jaki McCarrick - 8.99 -Save 1.80 when you buy online A collection of nineteen stories, exploring states of liminality: life on the Irish border, dual identities, emigration, being between states - certainty and doubt, codependency and freedom. Some explore themes of catastrophe and constraint. All explore what it means to be alive in a fraught and ever-changing world. The Visit won the Wasafiri Prize for new fiction, and many have been published to much acclaim in literary magazines. Paperback ISBN:9781781720325

Award Worthy

These books have all won or been nominated for major prizes this year

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Follow the whole nine yards here (a 95 part series) :- Half Marathon Blog

Why I am running:- West Coast Eisteddfod Bryn Seion Church

For details of how to sponsor see this post

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I have started to feel the need for some post exercise stretching exercises now that I am running a bit further than I used to. Does anyone know of any good routines? I guess the ideal stretching regimen includes exercises to loosen and relax all of the main muscle groups in the legs and should be practised after running and maybe before too. I will cede to whatever expert advice comes my way on the subject. Back in the 80's I had a program all worked out but its been such a long time that I don't remember the details.

Here are a couple of ideas I found on the web that are either a tad too extreme or downright weird

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By Alain Delmas (France (Own work) [ GFDL , CC-BY-SA-3.0 or CC-BY-2.5 ], via Wikimedia Commons

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By Alain Delmas (Own work) [ CC-BY-SA-2.5 ], via Wikimedia Commons
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By Alain Delmas (France (Own work) [ GFDL , CC-BY-SA-3.0 or CC-BY-2.5 ], via Wikimedia Commons

Round Up Of The Day's Marathon News

A few articles that caught my eye.

Marathon running in Great Britain is no longer wasted on youth

Across the entire UKA entry list of club runners there are more athletes aged 50 and over than there are 25 or under.

Is Marathon Running Bad For Your Health?

For most people running a marathon will be the toughest physical challenge of their lives. But the risk of dying during or after the race is low.

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It has become evident over the last three days that we are not going to be successful in our bid for a $25000 dollar grant in the Chase Community Giving race. There are several reasons for this:-

1. For sure a number of people are liking the page instead of voting or objecting to liking the app. This doesn help. BUT we had both these problems in 2010 when we came within 30 votes of winning.

2. What we did NOT have in 2010 was a position where we had to stay in the top 100. In 2010 all we had to do was stay in the top 200 for the grant. If this was 2010 we would still be well in the race. Chase split the competition into two this year. One for charities with operating costs of over $1,000,000 and one for those with operating costs under that figure. The first contest ocurred earlier this year. We qualified for this round but then so do MOST US charities. The fact that some of the big hitters aren't in the current competition doesn't help us much. We are still up against the vast majority of US charities and expected to raise our overall position by 100 places in half the time.

3. It's not a good time. In 2010 the Chase race occurred well before the Left Coast Eisteddfod and we were able to capitalize on the buzz for the upcoming event. This year it is well after the recent hugely successful L.A. event which makes it all the more difficult to generate enthusiasm.

4. A number of key players who were willing to render massive assistance last time round are not available ( for a variety of reasons ) to assist us this year.

All in all it looks like a case of three tries for a Welshman i.e. we'll give it a go again next year. I do not intend to spend the next ten days fighting a losing battle when there are so many other more useful things to do. This will not affect our plans for the forthcoming 2012 West Coast Eisteddfod which is still subject to an initial costing exercise. Of course the extra funds would have been handy BUT we didnt have Chase money in 2009, 2010 or 2011 and the Eisteddfod went ahead

Open for comments:-

https://www.indiegogo.com/projects/learnirish-com-a-complete-online-course

The Irish language is recognised as being one of the oldest written languages in the world but is classified by Unesco as being 'definitely endangered'. On average, a language dies every fortnight and it's predicted that half of the world's 7000 languages will die out within the next 100 years. LearnIrish.com aims to help make the Irish language and learning resources accessible to more people around the world.

If funded, LearnIrish.com hopes to deliver a comprehensive Irish language course complete with games and quizzes to monitor progress. They've set a goal of $7000, with two days into the campaign they've almost reached 20% of their target but need as much support as possible to make it to the end.

Reproduced with kind permission of Cymru Culture Magazine

A BAFTA Cymru award winner, Boyd Clack is a writer, actor, singer and musician. He is probably most famous for putting the Welsh onto Welsh television, having co-written (with his partner Kirsten Jones) and acted in the sitcoms Satellite City and High Hopes . O nly graduating from the Welsh College of Music and Drama in 1986 (at the tender age of 35), h e has worked on some iconic projects, including: Twin Town ; (Rob Brydon's) Marion and Geoff ; and Pirates of the Caribbean . Just over the last year he has appeared in Baker Boys , Being Human and New Tricks .

Born in Vancouver, Boyd returned to Wales at three years old. His dad, who had been in the Royal Regiment of Canada, died of leukemia at only 45, and Boyd was brought up with his mother's sister and brother-in-law in the the village of Tonyrefail, in the south Wales valleys. Before becoming an actor, Boyd had a rather adventurous life, involving a dozen or so different jobs, a religious cult in Australia, the band 'Boyd Clack and the Lemmings' and a 'squat' in Amsterdam. Boyd kindly agreed to tell us more ...

Boyd Clack (Photo: Ben Hussain)

CC Calling your childhood 'challenging' doesn't quite cover it. How has your upbringing most affected your adult life?

BC I felt paranoid and claustrophobic in my teens. I was a delicate, bespectacled hippy and was out of place in the testosterone charged, violent, alcohol fueled enclave of the valleys. I thought I'd die. I had to get away. The girls fancied the muscle bound, chisel jawed guys who were tough and shaved when they were ten. I wanted to be with dreamers and romantics. I wanted magic, in fact. I wanted mystical couplings on exotic beaches. I wanted sex!

CC The Head Chef at Tr Cymru Culture Towers' family live in Tonyrefail. Would you tell them which part of 'Ton' you are from? We're thinking 'blue plaque', here.

BC I was brought up in 10 the Avenue 'till I was ten, then 133 High Street.

CC You had an extraordinary variety of jobs as a young man, including: tax officer; hotel porter; builder; waiter; park keeper; psychiatric nurse; telephonist; door to door vacuum cleaner salesman; and porn shop assistant. What ambitions did you have at school? Did you have any idea what you wanted to do once you had left? Would you do any of those jobs again?

BC I wanted to be a hippy, travel the world having fun and chasing after beautiful girls. I had no other ambitions. I'd work in the porn shop again - 'Venus Erotic Supplies'. Apparently I showed an aptitude for it!

CC How did you come to travel so widely?

BC I grew up in the valleys in the fifties and sixties. The fifties was dreams and fear all mixed up in sunshine and rain. The world was small, like one of those Christmas things you turn upside down and snowflakes fall. The sixties, the later sixties, was the time that shaped me. The outside world filtered in at first, then with Telstar and other satellites, it gushed in. I became the poet laureate of despair. The nights were cold and hung with fists full of diamond stars. I kissed girls outside in the cold and saw their breath rise up in clouds like angels. This intense romance and heart chilling excitement shaped me as clearly as Michelangelo shaped David. Everything I am comes from this. It will be the last image in my head as I die. Life is too weird to try to understand all of it. All I can do is live in frozen images. I think that the valleys in the late sixties was a magical experiment conducted by dead wizards. I sometimes feel so intense about it that it makes me cry. Mais, o sont les neiges d'antan? (But, where are the snows of yesteryear?)

CC What led to you to form the original Boyd Clack and the Lemmings? How long did you stay together?

BC I moved back from Australia to South Wales in 1977; into a shared house in Cardiff. The other residents were fellow zombies and we decided to form a band to do my songs. None of the others played instruments, so we had to start from scratch. It was the time of punk, so it wasn't that difficult. We were magical and sparkling in a hellish way, our songs were Doom Rock and space/time travel romance. Sanity was not our strong point. We were intense and theatrical. We were apocalyptic explorers, the world was being sucked into the pit. Amsterdam was Dead. Dark times were coming. Twilights were ominous.

CC When you re-formed the band in 2007, did you contact any of the original line-up?

BC When I did Welsh Bitter last year I called the band The Lemmings as a tribute to the original band. But that's where the similarity ended, except for a few of the songs, which were done by the original band.

CC Who are your musical influences?

BC My musical influences are essentially mainstream sixties psychadelic pop e.g. Pink Floyd; Small Faces; Badfinger; Amen Corner; The Move; The Beatles of course; The Kinks; Donovan; Neil Young; Cat Stevens; and The Searchers (not psychadelic but great) etc. Also, Dr. Feelgood; early The Who; Bowie (up to Station to Station ); and scattered one hit wonders from the sixties . I love The Monkees too. Then there's Leonard Cohen; Joni Mitchell; Jacques Brel; Alex Harvey; Kate Bush; and Gabriel-era Genesis. My pop musical likes ended in 1975. The post-punk, late 70s band Killing Joke are cool. I love the soundtracks of Blade Runner - Vangelis ; and The Last of the Mohicans Clannad. And Mike Oldfield, paticularly Ommadawn and Voyager . No-one now; I am into Mahler.

CC How extensively did you tour before your second album, Welsh Bitter , was released? Do you have any dates planned now?

BC We didn't gig much in the new band, just a handful to get tight before recording and one at The Globe to release the album. I am at present recording a new album to be released hopefully at the end of the year. It's called Labourer of Love and Ill do a couple of gigs to promote it.

Cover of Boyd Clack's autobiography (Photo: Kirsten Jones)

CC Your autobiography, Kisses Sweeter Than Win e* , published late last year, discusses you dealing with the symptoms, diagnosis and treatment of your clinical depression. Have you noticed any change in attitudes to mental health issues since you first became aware of them?

BC I think society's attitudes to mental illness has changed little. It's like racism, sexism etc. - always there, but fashionably empathetic at the moment. Suffering is ugly and the world worships prettiness. Mental illness is marked out by terrifying loneliness. It brings the vibe down. People despise their own imperfect reflections.

CC Who were your contemporaries at the Welsh College of Music and Drama? Have they ever forgiven you for winning the WCMD's 'Best Actor' award?

BC My most successful contemporaries at the Welsh College are Dougray Scott, Rob Brydon, Mark Lewis Jones, Bethan Morris and Maldwyn John. I don't think any of them think about me other than in a general thinking of the past way, except Mark who is a little puppy dog, and I am happy for their success. Proud in some cases. I have no competitiveness. It would be silly in an unreal profession where lack of logic is the norm. I just do what I do and seek to make it beautiful. Let the Gods do what they do.

CC Had you not been walking past the WCMD, on the last day available to apply for their auditions, what do you think you would have been doing for the last 25 years? Would you still have written Satellite City for the Chapter Arts Centre?

BC Had I not strolled past the Welsh College on that far off summer morn, and not become an actor, I would have retired from the world and become a hermit or a monk.

Cast of Satellite City (seies 2)

CC What insipred you to write the sit-coms Satellite City and High Hopes ?

BC The inspiration behind all of my work is to celebrate and analyse the human condition. In Satellite City and High Hopes it is done through the medium of comedy within family relationships. The comedy is natural. I have never forced a word. It comes from character and situation. Both shows also demonstrate human fallibility and kindness. There are no bad guys. Being Welsh and using a Welsh setting is perfectly natural don't you think. An American wouldn't be asked why his work was based in American society, with American accents, neither would an English writer. We are every bit as significant and interesting as any other culture.

At the time Satellite City came out there had been no previous indigenous sit com in English, so it seemed to be making a point; but it wasn't. It was just real. One thing I have learned in life is that all people in all nations are exactly the same. We all want safety, warmth, love and happiness. This is as true of a loin cloth wearing Amazonian native as a Russian prince. There is a commonality, a collective unconscious as Jung put it, that flows through us all. This is what I have always sought to highlight. It is what makes racism the idiocy that it is. No-one is inherently better or worse than anyone else full stop. Some ancient Greek dramatist said that action is character, and I think that's spot on. If I am better than someone else it is because I do better, more humanistic things. I am better than a thug who goes around bullying weak people, for instance. I am better than Tony Blair, say. I have never murdered people or stolen people's hard-earned wealth. Nelson Mandella is a better man than me because he has devoted more of his time to helping others.

What unites us is far greater than what keeps us apart. The problem is that the qualities of 'bad' people - greed, self interest, brutality, lack of empathy etc - are also the very qualities that lead to positions of influence in society. Hence the appallingly low standard of those in public office, the prediliction to favour themselves and their fellow charlatans ahead of us, and their casual warmongering and incitement of bigotry, suspicion and hatred amongst us. They do this because it advantages them to have us blame each other for the unfairnesses in society, rather than turn our anger on those rightfully to blame, i.e. them. It is a part of the duty of the artist to highlight unspoken truths. Comedy is a good way of doing this. Every episode of High Hopes has a specific angle that takes this into account. It may sound corny, but the basis of everything I do is an empathy for other people. Love, in fact. Because love is as necessary to life as air to breath, and there's nowhere near enough of it about. Old Hippie that I am.

CC What were the main changes to Satellite City from stage, to radio and then television?

BC The difficulties in transferring Satellite City from radio to TV were the same as any other such transfer, though the world created was so distinct on radio and the characters so strong that it proved not too difficult.

CC I am at a loss to understand how a BBC series, which won a BAFTA Cymru award for 'Best Entertainment Series' would not be shown on the BBC, UK-wide. How was it explained to you?

BC Satellite City wasn't networked for a variety of reasons, none of which were to do with the quality of the product, which no-one doubted. Television is a strange inward looking thing, favours are offered and accepted, there's endless nepotism and bitternesses. A whole world of egos swirling and buffeting up against each other in a huge swirling miasma of money and self interest. Had it been shown it would have gone down a storm throughout Great Britain, I've not a shred of doubt.

CC At least the pilot for High Hopes was shown across the UK (1999). Why did it take three years to be commissioned into a series?

BC For High Hopes : see above!

Some of the cast from High Hopes

CC Inexplicably, High Hopes (the series) only aired on BBC Wales. What reason did its producer, Gareth Gwenlan (also the producer of Only Fools and Horses ), give for this?

BC Gareth Gwenlan did all he could to get High Hopes networked, but was stymied by a senior figure in BBC Wales who didn't want the English to see us in what they regarded as a negative light. This is ridiculous of course, the show shows us in a wonderful light, but there is nothing more dangerous than a figure in authority with a bee in their bonnet. Reason goes out the window.

CC When Ben Evans (who played Charlie) left the series, what made you decide to re-cast the role, rather than write in another character?

BC We re-cast Charlie because he was so essential to the concept. Ben is as lovely a man as you'd ever meet. He wanted to get into musicals though and had a great opportunity he couldn't turn down. He's in Jersey Boys in the West End at the moment. Ollie [Oliver Wood Ed.], who took over did a wonderful job. He's a cracking lad too. There were no fallings out about anything.

CC Would you re-cast the role of Mam if High Hopes is recommissioned?

BC Margaret John was a lovely, tallented and interesting woman, a fine actress and sorely missed. She had a great life and enjoyed every minute of it. She told me that High Hopes was her most enjoyable and loved roll. If we did more High Hopes we would not re-cast Mam, that wouldn't work, but we'd keep her 'alive'. This could be done in several ways. Has she gone to Greece on holiday with Mrs Coles? Has she met Stavros (played by Tom Conti) an old flame from her erotic dancing time, and fallen in love? Is she staying over there with him? It could be done. It would be fun to do it. Like I say, contact BBC Wales; let them know the demand is there.

I would also like to put in a word for Islwyn Morris, Dad in Satellite City , who died a month after Maggie. I knew Islwyn well. He was as wonderful a man as you'd ever meet. He was honest, intelligent, kind, and a brilliant actor. He was a gentle and dignified man with a fine sense of humour and a deep religious conviction. His warmth and friendship touched everyone who knew him. He was my hero and I loved and respected him. RIP old friend.

CC You can often be seen walking around central Cardiff, just doing your shopping etc. Are you recognised, and how do you react?

BC I do get recognised and approached a lot. I regard it as a great compliment that my work has given such pleasure to so many people. I am quite touched by it in fact.

CC Your affection for the valleys shines through in High Hopes . And the series was truly loved by many people (including just about everyone we know). Is there any possibility of another series?

BC We would love to do another series of High Hopes . The public would too. The recent third repeat of the best bits had a huge audience and audience share. There is a petition for the Beeb to do more, which you can sign online if you so desire [ click here for the petition Ed.], though it appears that they are putting their money into other projects at the moment.

CC You've done a variety of work in different media, including: Twin Town and Pirates of the Caribbean ; Othello , A Midsummer Night's Dream , Macbeth , Hamlet and Coriolanus ; Dez Rez (Royal Television Society award winner), Satellite City (on stage, radio and TV), High Hopes , A Small Summer Party ( Marion and Geoff ), Baker Boys , Being Human and New Tricks . Which is best: stage or screen (big or small)?

BC Both stage and screen are great fun. There is a magic on stage that you don't really get on screen; mainly because you have a live audience coming on the journey with you. And screen is shot out of sequence, so you don't feel the build up, the effect of the dramatic flow, so clearly. That said, screen, large and small, has its own magic. I love both. Acting is the greatest of experiences when it clicks. It is a time machine, a portal to another dimension. I love it, full stop.

CC Please tell us about your involvement in National Theatre Wales

BC I played Con in A Good Night Out in The Valleys last year, which was the inaugural production of the newly formed, and none too soon, National Theatre of Wales. I was very honoured to be cast and the experience was wonderful. I hadn't been on stage for 14 years, and had forgotten the immense physical and mental pressure of playing such a huge part. It nearly killed me.

The National is a fine organisation. It has a fine, enthusiastic, involved permanent staff, which is guided by John Magrath with an imaginative and inclusive hand. My partner Kirsten and I are involved in developing a stage idea with them at the moment; an adaption of a short story - Standing in the Valley of the Kings .

Album cover of Welsh Bitter

CC Judging from your recent work, you will have a dozen projects (at least) in the pipeline. Which ones seem the most exciting?

BC ... At the moment I am filming the second series of Baker Boys for the BBC. I am doing some gigs with Paul Childs and Jamie Pugh, which are fun. I am recording a new album, a follow up to Welsh Bitter (songs from which I sing in the concerts). It's going to be called Labourer of Love . I recently finished writing two novellas - Something Like Love and The River of Souls - which I am very, very happy with, and I'm working on a few other writing ideas. Acting work comes in reasonably regularly and I am reasonably content. The world is a funny old place though, and life has a weird way of catching you out, so who knows what the future may bring. The thing that really matters is being a decent person and valuing the friendship and love of your fellow beings. The rest of it is tinsel.

CC ... Boyd Clack, thank you.

* Kisses Sweeter Than Wine , Parthian Books, isbn: 9781906998301, 14.99

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